We’re excited to announce six new artist commissions for the Scottish Mental Health Arts Festival 2026 programme, including our first young artist commission for emerging artists aged 18–25.

Artists Jo Mango, Kelly Zou, Mairi Timoney, Nat Ophelia Walpole, Steven Jones, and Jasmine Esme (young artist commission) will all create new works in response to our 20th year theme, Reflections.

The commissions will be showcased during our festival dates. Look out for further announcements nearer the time. You can read more about each artist below.

We would like to say a huge thank you to everyone who applied for this commission. We are committed to supporting a wide range of artists to explore mental health through their work and we hope we can find other ways to support your work in the future.

About the Commissions

Jo Mango

Jo Mango is a Glasgow-based multi-instrumentalist and singer/songwriter whose work spans gig theatre, multi-media installation, music for film/TV, poetry and alt-folk performance/recordings. She is developing a series of new songs inspired by Nabokov’s image of the furniture of a living room reflected out in the snow, via a windowpane. Her final performance will explore this image as a way of understanding how past trauma impedes on our image of the future, the past and our current selves.

When a person has difficult experiences in their past that impinge upon the present, it’s common to question how much of one’s life or personality or identity has been shaped by those experiences. It is complex and confusing to try and parse out what life would be without them, and yet it is completely understandable to want to imagine a life free from them. This EP is a musical exploration of how echoes/reflections of the past affect our imagination of the future, or intrude on the present, and how we might reframe that in helpful/hopeful ways.

Musician Jo Mango

Kelly Zou

Kelly Zou is a visual artist and illustrator based in Edinburgh. Through drawing, painting, and scroll-based installation, she explores themes of memory, place, and emotion. Born in China and originally trained as a programmer, she moved to Scotland to pursue art full-time. Her work draws on personal experiences of migration and the shifting relationship between place, memory, and belonging. She uses visual art as a means of reflection, creative inquiry, and connection with community and place.

My work often begins with fragments: drawings, paintings, writings, and marks that resist forming a complete narrative. For this commission, I want to explore reflection as a slow and ongoing process of piecing together these fragments. Working with fragile rice paper, stitched fabric, and layered marks on a scroll allows me to move gently between past and present, creating a space to consider how memory, identity, and emotional experience continue to shape us over time.

Artist Kelly Zou in a gallery space with two images on the wall.

Mairi Timoney

Mairi Timoney is an artist based in Edinburgh, Scotland. Her work draws on collected imagery, personal recollections and everyday observations, bringing them together in layered compositions. Working across collage and painting she explores themes of place, memory, identity and the emotional significance of landscapes and built environments.

The first year after my son was born was the most significant, beautiful and challenging period of my life. Yet so much of it feels blurred by exhaustion, sleeplessness and the relentless pace of early motherhood. As time passes, I find myself trying to hold onto memories, emotions and moments that already feel as though they are slipping away. This project is a way of reflecting on that year and preserving it. Through a series of 12 artworks, I will revisit each month of my postpartum experience using diary entries, photographs, personal documents and collected memories. I want to explore the emotional realities of motherhood, the shifts in identity that accompany it and the impact it can have on mental health. By making this work, I hope not only to create a record of a transformative time in my own life, but also to offer a sense of recognition and connection for others who have experienced the complexities of becoming a parent.

Artist Mairi Timoney wearing a black T-shirt in a studio with artworks on the wall and a plant on the desk.

Nat Ophelia Walpole

Nat Ophelia Walpole is a Glasgow-based artist and writer who works across painting, drawing, and poetic verse. Her practice is an ongoing project of worldbuilding and she delights in the emergent relationships of the many Queer, Trans, and non-human kin within her work. She frequently finds inspiration in the history of painting, Trans Feminist, and Queer Ecological thought; seeking to present her own interior world amid the unseen networks of forces that shape and restrict it.

How can you reconnect with your childhood self when so little of the current you reflects the person you were raised to be? Drawing on my experience of growing up as a closeted trans woman, this work is an attempt to gather and hold the troubling web of contradictions and frustrations which characterise my own, and many other trans people’s, relationship to our younger self. An attempt to reclaim, reimagine, and reintegrate my childhood self with love, care, and forgiveness.

Artist Nat Ophelia Walpole wearing a flower in her hair, sitting in a room with artworks on the wall and pink lighting.

Steven Jones

Steven is a middle-aged photographer living in Glasgow. He likes to use the creative process to come at an issue from a sideways angle, because he believes shouting rarely brings people on-board. Around 2020 he stumbled-upon an interview about neurodiversity and was surprised to find himself responding to every trait discussed with “Aye but EVERYONE does that!” Following this, he applied for a diagnosis, which took ages but it eventually happened and he’s found the whole process of learning about his brain and about neurodiversity (and neuro-normality) lots of fun and very interesting. Steven is now getting better at being kinder to himself when struggling with things that should-be-unstressful-yet-for-some-reason-are-very-stressful (like filling-in forms) whilst he’s also come to better appreciate his strengths (of which there are obviously too many to list here, wakka wakka). Peace and love. Up the Toffees.

My commission will explore mental health through the lens of my on/off relationship with Warhammer, a hobby I loved intensely as a boy between the ages of 11 and 13, before bullying forced me to abandon it. Returning to the hobby aged 47, I was pleasantly surprised to find that I enjoy it as much as I did over 35 years ago, and have now found a community transformed into a much more inclusive space, welcoming people of all ages, genders, and backgrounds. I intend to explore how the rich visual language of Warhammer can mirror the universal mental health experiences of loss, shame, rediscovery, and acceptance.

Artist Steven Jones wearing a white jumper standing in front of a white wall with arms folded

Jasmine Esme
Young Artist Commission

Jasmine Esme is an artist living and working in Edinburgh. Her work is across mediums, with a current focus on hand embroidery and pastels. Her work is fundamentally influenced by her experience of disability and rural upbringing. Jasmine plans to produce a large multimedia textile piece exploring the agitating and restless inner world of people living with cPTSD. Outside of this project, she is currently working on a series tentatively titled ‘Beautiful places I cannot go’ depicting spaces that remain inaccessible for disabled people due to human indifference towards us. Jasmine is particularly interested in art that explores illness, intersectional experience, and the natural environment.

As someone with complex PTSD, reflection is both difficult and inherent. I literally cannot help but look back over and over so I have learnt to mingle in the positive with the negative. Focusing on only the positives just isn’t realistic for many of us with mental illness and there are many people with mental illness that will never “get better”. I think that is essential to represent in art. My goal is to get the audience to reflect on how a life with all these dark memories and focuses is still a life worth continuing.

Artist Jasmin Esme wearing a jumper with turquoise and yellow stripes.

All images courtesy of the artists.